Potlesk je důkaz toho, že fanoušci se baví. Hrála jsem i přes bolest do té doby než jsem nemohla chodit. Slyšela jsem ale svoje fanoušky a věděla, že to nemůžu vzdát. Gaga: ,Byla jsem na turné a strašně mě bolela noha, brečela jsem kvůli tomu. Píseň má dva významy: První význam je, jak lidé vnímají dnešní celebrity = udělají všechno proto, aby byli středem pozornosti a druhý je o Little Monsters (fanoušci Lady Gaga), kteří podporují a tleskají ještě dříve než začne zpívat. Zpívá Gaga o americkém umělci jménem Jeff Koons, který se také podílí na tvorbě obalu alba ARTPOP. Klip je natočený černobíle a jednotlivé snímky jsou ručně barveny, tedy stejně jako se to dělávalo za starých časů prvotních barevných filmů. The only real misstep on this wondrous album remains “Donatella”, a bizarre and painfully surface-level attack on Donatella Versace and the modeling world (“Walk down the runway but don’t puke,” “You just had a salad today”) that doesn’t appear to see any of itself in the skinny, “upper-class” blonde it’s skewering.V den(), kdy vydala Lady Gaga oficiální Audio k písni,tak kvůli velkému přívalu LittleMonsters dokonce spadl i server Last.fm. Why you dress up so much Applause Lady Gaga sped up - SpedUpSongs</3. What kind of dance-pop icon carves out space in her single to smirk, “Some of us just like to read”? TikTok video from Princess Amelia (princessameliawu): 'I live for the applause '. Even “Applause” sounds much better as an encore/finale in album context, and in retrospect pretty cool to have such art-life-chicken-egg theorizing on Top 40 radio. Apparently Kells is too preoccupied with haters in the club to notice or care that his duet partner is offering herself up to him. On the lone (power) ballad “Dope” she crushes the finest vocal performance in her discography, and its chief conceit is too bold for IHeartRadio: “I need you more than dope.” The burbling semitones of “Artpop” do right by Kaballah-era Madonna, and even the futuristic pulse of “Do What U Want” makes for an astounding highlight with a real laugh at the end. And the first single, “Applause”, underwhelmed pop radio, failing to make the awkward syntax of “live for the applause-plause” into trash-gold the way her career pinnacle “Bad Romance” did for “Gaga ooh-la-la.” Kelly carte blanche on “Do What U Want,” as in “with my body.” (A surgery-themed, Terry Richardson-helmed video was wisely scrapped.) The album cover was hideous. It was over-the-top by design à la Michael Jackson’s Dangerous or Madonna’s Erotica, sharing Jackson’s explosion of genre and the Madonna’s preoccupation with sex, both qualities that exhaust pop fans, but shouldn’t.Ī tour de force from start to finish, Artpop was likely damned by its release at the height of the her overexposure, so we focused on its flaws: a burqa strip-show fantasy of a leadoff track considered more misbegotten than bold (“Aura”), the usual fame-obsessed lyrics now considered more batshit than campy, and the curious decision to give R. The best we can hope for is that her possibly disenfranchised monsters rediscover Artpop instead, her endlessly thrilling 2013 fun-house mirror of a third album, whose critical and commercial performance could be summed up as Chartflop.Īrtpop was Gaga’s too-close-to-the-sun album even though she is the sun. Maybe that shouldn’t be so hard to swallow, but a merely pleasant Gaga affair is no fun to sit still for. With a list of collaborators that includes Josh Homme, Beck, Kevin Parker of Tame Impala, Florence Welch, Father John Misty, and Mark Ronson, it’s all the more bizarre how streamlined and synthetic Joanne is. The whole affair clocks in at just under 40 minutes, an amuse bouche from the magician who turned Bowie hits into trick scarves at the Grammys. Joanne‘s first single “Perfect Illusion” shrugs off a key change that could’ve been dynamite following some kind of a middle eight or a drop. Stripped down to the basics, these well-considered tunes feel naked absent goofy ad libs, guitar solos, drawn-out sections for world-class showmanship on tour.
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